
JILL SILVERMAN VAN COENEGRACHTS, FOUNDER JSVCprojects

UNAPOLOGETIC CONTENT.

BEHIND THE SCENES:
ESTHER SHALEV-GERZ,
KING & KING
A new sculpture
Installed in the United States

BEHIND THE SCENES:
SAVE THE DATE
BAD+
July 6-10 2022
HANGAR 14

BEHIND THE SCENES:
LINDA KARSHAN
Backstage filming ‘Two Feet Walking’
By Ishmael Annobil, Filmmaker
In response to the architecture of Murray Edwards College
Cambridge University
8th April 2022

A WALK IN MY LIBRARY:
HELMUT FEDERLE

BEHIND THE SCENES:
BENEDICTE DELAY WITH JASON BUTLER
‘ONE ON ONE’
Exhibition at ArtHouse Jersey
14 April – 2 May 2022

NATURE NOTES:
HELLO TO SPRING, PARIS

BEHIND THE SCENES:
A WALKED DRAWING, ‘TWO FEET WALKING’,
By Linda Karshan
In collaboration with Filmmaker, Ishmael Annobil
In response to the architecture of Murray Edwards College,
University of Cambridge

BEHIND THE SCENES:
ISHMAEL ANNOBIL, 'INSOMNIA'
Coming soon at L'Interstice, Arles
Opening on April 15, 2022

BEHIND THE SCENES:
JASON BUTLER, ‘ONE ON ONE’
Launch new ArtHouse exhibition space
Jersey, England

BEHIND THE SCENES:
ART & LANGUAGE, "THESE SCENES", 2016
Acquired by Centre Pompidou

BEHIND THE SCENES:
ESTHER SHALEV-GERZ
Bauhaus-Museum,
Weimar, Germany

BEHIND THE SCENES:
LOSING DAN GRAHAM
1942-2022

BEHIND THE SCENES:
THE DEVELOPMENT OF BAD+
BORDEAUX + ART + DESIGN
New dates: July 6-10 2022, at HANGAR 14

BEHIND THE SCENES:
2000 THANK YOU NOTES
7 February 2022

BEHIND THE SCENES:
NEW SPACE FOR JSVCPROJECTS

BEHIND THE SCENES:
ROBERT STONE
Debut with Haines Gallery at FOG Design + Art 2022
San Francisco, CA

BEHIND THE SCENES:
MISCHA KUBALL
nolde / kritik / documenta
A project by documenta archiv, Draiflessen Collection and Mischa Kuball
NEW DATE: FALL 2022

UNAPOLOGETIC CONTENT.

HAPPY NEW YEAR 2022!
WARM WISHES AND NEW ADVENTURES

BEHIND THE SCENES:
MINYADES
An exhibition of paintings by Richard Höglund
The Bonnier Gallery, Miami
December 2021
A Catalogue Essay

BEHIND THE SCENES:
MISCHA KUBALL
ReferenzRäume
Museum Morsbroich
5 December – 24 April 2022

BEHIND THE SCENES:
ABOUT THE TREES
Thanksgiving 2021

UNAPOLOGETIC CONTENT.

BEHIND THE SCENES:
THE WORLD MAP
Thanks to Mr Hide

BEHIND THE SCENES:
KOEN VANMECHELEN LABIOMISTA, GENK (BELGIUM)
The book launch and debate
“NOT TO BE MISTAKEN”, November, 4th

BEHIND THE SCENES:
OCTOBER 2021
"Linda Karshan: The Covid-19 Conversation"
Still in the limelight

BEHIND THE SCENES:
IDE TO POLAND
POSTSCRIPT PARIS

BEHIND THE SCENES:
IDE TO POLAND III
Out of the oven
Warsaw Sept 28-Oct 3

BEHIND THE SCENES:
HELMUT FEDERLE
NOVARTIS Campus – Forum 3, Basel
DIENER & DIENER - WIEDERIN
2005

BEHIND THE SCENES:
BETWEEN LISTENING AND TELLING
Esther Shalev Gerz
Nuit Blanche Paris,
Tonight

UNAPOLOGETIC CONTENT.

BEHIND THE SCENES:
ART BASEL HALL 2.0C1
René Schmitt and ART & LANGUAGE
THESE SCENES, 2016

BEHIND THE SCENES:
MISCHA KUBALL
Wolfsburg and Utopias

BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE

BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
Bright blue and white ceramics fill the dining room with warmth and visual appeal

BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
Starts today in Warsaw through 3 October

BEHIND THE SCENES:
ESTHER SHALEV-GERZ
SUMMER IN PARIS

UNAPOLOGETIC CONTENT.

BEHIND THE SCENES:
ON THE ROAD AGAIN
ARCO MADRID,
1st Art Fair in 2 years

UNAPOLOGETIC CONTENT.

UNAPOLOGETIC CONTENT.

UNAPOLOGETIC CONTENT.

BEHIND THE SCENES:
IN THE ARTIST'S STUDIO
JASON BUTLER "THE COLLAGES"
Pop-Up Exhibition, Jersey

STILL BEHIND THE SCENES:
NINA NOWAK'S EXHIBITION
Galleri Susanne Ottesen, Copenhagen

BEHIND THE SCENES:
PER KIRKEBY UNREALISED BRICK PROJECTS
Galleri Susanne Ottesen, Copenhagen

NEW ARRIVALS:
MISCHA KUBALL

A WALK IN MY LIBRARY:
HELMUT FEDERLE NIETZSCHE-HAUS SILS-MARIA
Schwabe AG Basel, 2004 Peter André Bloch & Jan Thorn-Prikker
on the occasion of Helmut Federle's "Edelweiss im Nietzsche-Haus, Sils-Maria" exhibition in Nietzsche's Haus, Sept 2004 to July 2005

BEHIND THE SCENES:
L'INTERSTICE ARLES OPENING
JOSETTE SAYERS AND GUILLAUME ZUILI'S PHOTOGRAPHS
Brave and fearless

BEHIND THE SCENES:
CONGRATULATIONS ISHMAEL ANNOBIL
DIRECTOR for "LINDA KARSHAN: COVID-19 CONVERSATION"
WINNER BEST SHORT DOCUMENTARY AT MYKONOS INTL FILM FES

BEHIND THE SCENES:
THE LAUNCH OF REAL TIME AND THE 3BS

BEHIND THE SCENES:
FLOWERS OF PERHAPS
LIOR GAL
ENGELS PLEIN, LEUVEN BELGIUM

BEHIND THE SCENES:
MATHILDE BRETILLOT DESIGNS NEW MUSEUM FOR LA MANUFACTURE DE GIEN

THIS TIME TWO YEARS AGO:
DRAW ART FAIR, LONDON, 2019, DESIGNER MATHILDE BRETILLOT AND ARCHITECT MISKA MILLER-LOVEGROVE

NEW ARRIVALS:
WETTERLING, STOCKHOLM

A WALK IN MY LIBRARY:
HELMUT FEDERLE
ABSTRACT PAINTING OF AMERICA AND EUROPE
Ritter Verlag, Galerie nächst St. Stephan, Vienna Rosemarie Schwarzwälder, 1988

BEHIND THE SCENES:
LUKAS HOFFMANN, CNAP ACQUISITION AND TWO EXHIBITIONS

BEHIND THE SCENES:
ESTHER SHALEV-GERZ, WEFRAC 2021

BEHIND THE SCENES:
"LINDA KARSHAN: COVID-19 CONVERSATION"
selected by Nawada and Hollywood Boulevard Festivals

BEHIND THE SCENES:
ESTHER SHALEV-GERZ
CNAP ACQUISITION,
"Describing Labor", 2012

BEHIND THE SCENES:
A STUDIO VISIT WITH DEANNA PETHERBRIDGE

BEHIND THE SCENES:
JSVCPROJECTS & INTERNATIONAL DESIGN EXPEDITIONS

BEHIND THE SCENES:
HELMUT FEDERLE IN NEW YORK

BEHIND THE SCENES:
RICHARD MILAZZO OBSZINE #3
The Sadness of Bad Thinking

BEHIND THE SCENES:
RICHARD MILAZZO OBSZINE #3, ART, POETRY, AND THE PATHOS OF COMMUNICATION,
The Art of Impeachment

BEHIND THE SCENES:
WITH POET/CURATOR RICHARD MILAZZO
REVISITING OBSZINE #3

A WALK IN MY LIBRARY:
POETRY IN SEDITIOUS TIMES

HAPPY NEW YEAR AND SOUVENIRS FROM 2020!

A WALK IN MY LIBRARY:
DECEMBER 31, 2020
JASON BUTLER'S EXHIBITION
Meyer Schapiro, “Theory and Philosophy of Art: Style, Artist and Society

BEHIND THE SCENES:
LIOR GALL, BRUSSELS, 2020

HIGHLIGHT:
LOVE LETTERS
A new participative project by artist Koen Vanmechelen

BEHIND THE SCENES:
LINDA KARSHAN AND THE BROOKLYN RAIL

BEHIND THE SCENES:
NOVEMBER 2020, LINDA KARSHAN
The Covid Conversation, A New Film

A WALK IN MY LIBRARY:
PARIS, NOV. 6, 2020
ABËTËI by Ishmael Fiifi Annobil

BEHIND THE SCENES:
MATHILDE BRETILLOT
Designs new offices for Parfums de Marly, Paris

BEHIND THE SCENES:
BERLIN STUDIO VISIT - LUKAS HOFFMANN

BEHIND THE SCENES:
BERLIN

BEHIND THE SCENES:
GALERIE NÄCHST ST. STEPHAN ROSEMARIE SCHWARZWÄLDER, VIENNA
Friederike Mayröcker, Curator Hans Ulrich Obrist - until 10 Oct
Schutzgeister/Guardian Spirits

BEHIND THE SCENES:
JSVCPROJECTS AND KOEN VANMECHELEN
The Battery Channel Podcast

BEHIND THE SCENES:
ARTISTS IN THE STUDIO, JERSEY

BEHIND THE SCENES:
MANIFEST OF THE TRUE

A WALK IN MY LIBRARY:
3 LOVE POEMS IN THE SUMMER

BEHIND THE SCENES:
SUMMER NEWS

BEHIND THE SCENES:
ROD MENGHAM,
Awarded the Cholmondeley Award for Poets

BEHIND THE SCENES:
JILL SILVERMAN VAN COENEGRACHTS RECOMMENDS

BEHIND THE SCENES:
LINDA KARSHAN
Studio visit

BEHIND THE SCENES:
STEFANO CIGADA,
"Frammenti" at the Museo di Roma in Trastevere

HAPPY NEW YEAR 2020!

BEHIND THE SCENES:
PER KIRKEBY,
"Brick Sculptures"

BEHIND THE SCENES:
IDE TO PUGLIA
"Ceramic & Food Route",
Recent Summer 2019 Highlights

JSVC HIGHLIGHTS:
ART & LANGUAGE, LONDON

BEHIND THE SCENES:
DRAW ART FAIR LONDON

BEHIND THE SCENES:
ART & LANGUAGE, EXHIBITION AT GALERIE MICHAEL JANSSEN, Berlin

BEHIND THE SCENES:
DR. SUSANNE A. KUDIELKA,
Private art collecting is a passion

BEHIND THE SCENES:
KOEN VANMECHELEN
“It’s About Time”

BEHIND THE SCENES:
DAYDREAMING WITH STANLEY KUBRICK,
Exhibition at Somerset House, London

BEHIND THE SCENES:
RICHARD MILAZZO OBSZINE #3
The Sadness of Bad Thinking
February 22nd 2021
PART I
This is the last time we will dive into OBSzine, the online magazine Richard Milazzo edited four years ago. Let’s thank the brilliant graphic designer, Riccardo Vanni. Master of typeface and layout that has given me so much to work with in these posts.
I could tell you more about the various artists whose lives have crossed with mine all those years ago. It is awkward sitting here in Paris after leaving New York twenty-five years ago. It is significant, I say to myself. The two decades of being a New Yorker were important years. 1975-1995. So much happened. Makes my head spin to think about it when I catch myself thinking about age. I have no age at all. The process of spending time with artists, looking at work, visiting studios makes us all the same age, we remain the same proverbial age; we are young, expecting greatness just there at the next exhibition, in the next catalogue, the next dinner party. That sparkling ephemeral sensation of every second mattering, the works, the conversations, the presence of observations being churned up for all time.
Because it is for all time, this work we do together. What was exceptional about those years in the 80’s I would say from this distance is there was still the feeling of a generation after the upheaval of 1968. The decade that followed when I moved to New York was tough and gritty still. This patina consolidated into new genres by the 1980’s and the change-the-world ethos was crystallizing into new forms of address, which spoke truth to power, not in the ways we had seen before, but in new ways. Mixing aesthetic language with edgy commitment of a broader reach. Having been lucky enough to be in the eye of this storm, looking at the last four years felt even more painful and pathetic, which this magazine found the source of its heat.
PART II
Our collective discomfort, as a community was the gold Richard Milazzo wanted to mine when Lucio Pozzi invited him and it was this shared pain that made me agree to throw my thoughts into a short story to try and wind up my rage into something. Would you say, unexpected, fragmented, sweeping up feelings and observations like a contest between the wide angle and the microscopic close up, in a split second. That rage.
By the time we turn around in 2020 everything has congealed; the wider body politic corrupted to the point of self-harm. The world as one organism suddenly ill; everyone equally vulnerable, must stay put. As if the stupidities we tried to articulate in the first year of the administration became fossilized into a pandemic of unseen proportions, and here we are.
A year ago exactly my very old friends, James and Alexandra Brown drove off the road late at night in Mexico to their deaths. I had just seen them here in Paris at the Ai Wei Wei opening at Cahiers d’Art in November 2019. We made a date for a studio visit again. James and I had met in NYC in the early 90’s. Will write a proper tribute to him later, but when everything stopped last year this time, I was hurting from the sudden and seeming senseless death of these two artists that had accompanied me in my art life for decades. Every year I received a Christmas card with a photograph taken by James of their three children bigger and brighter than the year before. This pain again, which crops up again a month later with the Covid death of Maurice Berger and Germano Celant. Alone then in London it felt like the end of the world.


PART III
Memory has become a daily presence during this pandemic; images and voices pop into mind in the stillness of cold Paris winter, a city on its proverbial knees at 6pm daily. This past weekend was a euphoria I remember from the first warm afternoons at college when we threw ourselves en masse to sit on the grass in between our dormitories. Spent part of Saturday with new colleagues who have just opened their first gallery in the Marais. We went to see the Kiefer works at Le Bourget. Then walked in Palais Royal sitting on a park bench to balance lunch on our knees in the sun. Giddy to see new red tips of the tree branches pushing new growth.
A day of surprises, Kiefer still in full command of his enormous strength, was as heady as seeing Paris even for a few hours returning to pleasure, people sitting on curbstones in the sun sipping coffee from paper cups. Daffodils peeking in a multitude of directions, small violet snow drops in wet grass. Palais Royale is an oasis where French reflection about nature and architecture is met with pastoral grace. Unlike Hyde Park or Green Park everything is small scale, but it is ample enough to give the eye a horizon line through the noble trees dotted with the grey/green city park benches, and on one side the familiar green metal chairs that fill the parks of Paris, left where ever the last person had moved them.
Awkward balancing act little boxes of Japanese food elegantly wrapped in a cloth that could cover the knees, even in our coats and winter shoes. What a lark to be sitting in the sun, eating out of doors, surrounded by people in masks. Even a little boy brought his fleet of small cars and buses that he lines up next to his place on the curb while his parents fetched take out coffee. It feels like sacrilege to be grateful for paper cups and take out coffee. But with everything closed it is a party actually.


PART IV
I culled the rest of the magazine to pluck images and texts that might put some kind of closure on this moment, if anything ever actually is closed. I laugh everyone tells me just to turn the page, Jill. Get over it. Move on. A young woman once said to me after my ex/late husband died, “someone dies, and you just sell everything.” As if it were as easy as that. But then actually I will die and everything will be dispersed. Maybe this is why I am so keen on telling you what I have seen and what I know. Because the rest is not going to last, have to get facts down, it is important.
Like the paintings of Sandra Chia, and Jonathan Lasker, Samantha Dietmar, captured my eye with Self-Pathetic. I want to call your close reading to Jonathan’s short text please take a moment. There is a lot to enjoy in this issue, which has not lost its importance as a tuning fork for the period we have lived through all of us between 2016-2020. I will not mention the former President by name, but the vacuum he carved out of the American heart is worthy of the commentary each contributor to this issue.


The conspiracy the character felt as her skin crawled in The Sadness of Bad Thinking is all around us still. It will take astute and relentless attention in our lives to combat the forces we know need to be pushed back; after all, it is safe to imply that art is meant to be the homeopathic remedy for everything that ails the human spirit. It is this optimism and vision that keeps us going to see it, and as always we still have a lot to do.
