
JILL SILVERMAN VAN COENEGRACHTS, FOUNDER JSVCprojects

UNAPOLOGETIC CONTENT.

BEHIND THE SCENES:
ESTHER SHALEV-GERZ,
KING & KING
A new sculpture
Installed in the United States

BEHIND THE SCENES:
SAVE THE DATE
BAD+
July 6-10 2022
HANGAR 14

BEHIND THE SCENES:
LINDA KARSHAN
Backstage filming ‘Two Feet Walking’
By Ishmael Annobil, Filmmaker
In response to the architecture of Murray Edwards College
Cambridge University
8th April 2022

A WALK IN MY LIBRARY:
HELMUT FEDERLE

BEHIND THE SCENES:
BENEDICTE DELAY WITH JASON BUTLER
‘ONE ON ONE’
Exhibition at ArtHouse Jersey
14 April – 2 May 2022

NATURE NOTES:
HELLO TO SPRING, PARIS

BEHIND THE SCENES:
A WALKED DRAWING, ‘TWO FEET WALKING’,
By Linda Karshan
In collaboration with Filmmaker, Ishmael Annobil
In response to the architecture of Murray Edwards College,
University of Cambridge

BEHIND THE SCENES:
ISHMAEL ANNOBIL, 'INSOMNIA'
Coming soon at L'Interstice, Arles
Opening on April 15, 2022

BEHIND THE SCENES:
JASON BUTLER, ‘ONE ON ONE’
Launch new ArtHouse exhibition space
Jersey, England

BEHIND THE SCENES:
ART & LANGUAGE, "THESE SCENES", 2016
Acquired by Centre Pompidou

BEHIND THE SCENES:
ESTHER SHALEV-GERZ
Bauhaus-Museum,
Weimar, Germany

BEHIND THE SCENES:
LOSING DAN GRAHAM
1942-2022

BEHIND THE SCENES:
THE DEVELOPMENT OF BAD+
BORDEAUX + ART + DESIGN
New dates: July 6-10 2022, at HANGAR 14

BEHIND THE SCENES:
2000 THANK YOU NOTES
7 February 2022

BEHIND THE SCENES:
NEW SPACE FOR JSVCPROJECTS

BEHIND THE SCENES:
ROBERT STONE
Debut with Haines Gallery at FOG Design + Art 2022
San Francisco, CA

BEHIND THE SCENES:
MISCHA KUBALL
nolde / kritik / documenta
A project by documenta archiv, Draiflessen Collection and Mischa Kuball
NEW DATE: FALL 2022

UNAPOLOGETIC CONTENT.

HAPPY NEW YEAR 2022!
WARM WISHES AND NEW ADVENTURES

BEHIND THE SCENES:
MINYADES
An exhibition of paintings by Richard Höglund
The Bonnier Gallery, Miami
December 2021
A Catalogue Essay

BEHIND THE SCENES:
MISCHA KUBALL
ReferenzRäume
Museum Morsbroich
5 December – 24 April 2022

BEHIND THE SCENES:
ABOUT THE TREES
Thanksgiving 2021

UNAPOLOGETIC CONTENT.

BEHIND THE SCENES:
THE WORLD MAP
Thanks to Mr Hide

BEHIND THE SCENES:
KOEN VANMECHELEN LABIOMISTA, GENK (BELGIUM)
The book launch and debate
“NOT TO BE MISTAKEN”, November, 4th

BEHIND THE SCENES:
OCTOBER 2021
"Linda Karshan: The Covid-19 Conversation"
Still in the limelight

BEHIND THE SCENES:
IDE TO POLAND
POSTSCRIPT PARIS

BEHIND THE SCENES:
IDE TO POLAND III
Out of the oven
Warsaw Sept 28-Oct 3

BEHIND THE SCENES:
HELMUT FEDERLE
NOVARTIS Campus – Forum 3, Basel
DIENER & DIENER - WIEDERIN
2005

BEHIND THE SCENES:
BETWEEN LISTENING AND TELLING
Esther Shalev Gerz
Nuit Blanche Paris,
Tonight

UNAPOLOGETIC CONTENT.

BEHIND THE SCENES:
ART BASEL HALL 2.0C1
René Schmitt and ART & LANGUAGE
THESE SCENES, 2016

BEHIND THE SCENES:
MISCHA KUBALL
Wolfsburg and Utopias

BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE

BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
Bright blue and white ceramics fill the dining room with warmth and visual appeal

BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
Starts today in Warsaw through 3 October

BEHIND THE SCENES:
ESTHER SHALEV-GERZ
SUMMER IN PARIS

UNAPOLOGETIC CONTENT.

BEHIND THE SCENES:
ON THE ROAD AGAIN
ARCO MADRID,
1st Art Fair in 2 years

UNAPOLOGETIC CONTENT.

UNAPOLOGETIC CONTENT.

UNAPOLOGETIC CONTENT.

BEHIND THE SCENES:
IN THE ARTIST'S STUDIO
JASON BUTLER "THE COLLAGES"
Pop-Up Exhibition, Jersey

STILL BEHIND THE SCENES:
NINA NOWAK'S EXHIBITION
Galleri Susanne Ottesen, Copenhagen

BEHIND THE SCENES:
PER KIRKEBY UNREALISED BRICK PROJECTS
Galleri Susanne Ottesen, Copenhagen

NEW ARRIVALS:
MISCHA KUBALL

A WALK IN MY LIBRARY:
HELMUT FEDERLE NIETZSCHE-HAUS SILS-MARIA
Schwabe AG Basel, 2004 Peter André Bloch & Jan Thorn-Prikker
on the occasion of Helmut Federle's "Edelweiss im Nietzsche-Haus, Sils-Maria" exhibition in Nietzsche's Haus, Sept 2004 to July 2005

BEHIND THE SCENES:
L'INTERSTICE ARLES OPENING
JOSETTE SAYERS AND GUILLAUME ZUILI'S PHOTOGRAPHS
Brave and fearless

BEHIND THE SCENES:
CONGRATULATIONS ISHMAEL ANNOBIL
DIRECTOR for "LINDA KARSHAN: COVID-19 CONVERSATION"
WINNER BEST SHORT DOCUMENTARY AT MYKONOS INTL FILM FES

BEHIND THE SCENES:
THE LAUNCH OF REAL TIME AND THE 3BS

BEHIND THE SCENES:
FLOWERS OF PERHAPS
LIOR GAL
ENGELS PLEIN, LEUVEN BELGIUM

BEHIND THE SCENES:
MATHILDE BRETILLOT DESIGNS NEW MUSEUM FOR LA MANUFACTURE DE GIEN

THIS TIME TWO YEARS AGO:
DRAW ART FAIR, LONDON, 2019, DESIGNER MATHILDE BRETILLOT AND ARCHITECT MISKA MILLER-LOVEGROVE

NEW ARRIVALS:
WETTERLING, STOCKHOLM

A WALK IN MY LIBRARY:
HELMUT FEDERLE
ABSTRACT PAINTING OF AMERICA AND EUROPE
Ritter Verlag, Galerie nächst St. Stephan, Vienna Rosemarie Schwarzwälder, 1988

BEHIND THE SCENES:
LUKAS HOFFMANN, CNAP ACQUISITION AND TWO EXHIBITIONS

BEHIND THE SCENES:
ESTHER SHALEV-GERZ, WEFRAC 2021

BEHIND THE SCENES:
"LINDA KARSHAN: COVID-19 CONVERSATION"
selected by Nawada and Hollywood Boulevard Festivals

BEHIND THE SCENES:
ESTHER SHALEV-GERZ
CNAP ACQUISITION,
"Describing Labor", 2012

BEHIND THE SCENES:
A STUDIO VISIT WITH DEANNA PETHERBRIDGE

BEHIND THE SCENES:
JSVCPROJECTS & INTERNATIONAL DESIGN EXPEDITIONS

BEHIND THE SCENES:
HELMUT FEDERLE IN NEW YORK

BEHIND THE SCENES:
RICHARD MILAZZO OBSZINE #3
The Sadness of Bad Thinking

BEHIND THE SCENES:
RICHARD MILAZZO OBSZINE #3, ART, POETRY, AND THE PATHOS OF COMMUNICATION,
The Art of Impeachment

BEHIND THE SCENES:
WITH POET/CURATOR RICHARD MILAZZO
REVISITING OBSZINE #3

A WALK IN MY LIBRARY:
POETRY IN SEDITIOUS TIMES

HAPPY NEW YEAR AND SOUVENIRS FROM 2020!

A WALK IN MY LIBRARY:
DECEMBER 31, 2020
JASON BUTLER'S EXHIBITION
Meyer Schapiro, “Theory and Philosophy of Art: Style, Artist and Society

BEHIND THE SCENES:
LIOR GALL, BRUSSELS, 2020

HIGHLIGHT:
LOVE LETTERS
A new participative project by artist Koen Vanmechelen

BEHIND THE SCENES:
LINDA KARSHAN AND THE BROOKLYN RAIL

BEHIND THE SCENES:
NOVEMBER 2020, LINDA KARSHAN
The Covid Conversation, A New Film

A WALK IN MY LIBRARY:
PARIS, NOV. 6, 2020
ABËTËI by Ishmael Fiifi Annobil

BEHIND THE SCENES:
MATHILDE BRETILLOT
Designs new offices for Parfums de Marly, Paris

BEHIND THE SCENES:
BERLIN STUDIO VISIT - LUKAS HOFFMANN

BEHIND THE SCENES:
BERLIN

BEHIND THE SCENES:
GALERIE NÄCHST ST. STEPHAN ROSEMARIE SCHWARZWÄLDER, VIENNA
Friederike Mayröcker, Curator Hans Ulrich Obrist - until 10 Oct
Schutzgeister/Guardian Spirits

BEHIND THE SCENES:
JSVCPROJECTS AND KOEN VANMECHELEN
The Battery Channel Podcast

BEHIND THE SCENES:
ARTISTS IN THE STUDIO, JERSEY

BEHIND THE SCENES:
MANIFEST OF THE TRUE

A WALK IN MY LIBRARY:
3 LOVE POEMS IN THE SUMMER

BEHIND THE SCENES:
SUMMER NEWS

BEHIND THE SCENES:
ROD MENGHAM,
Awarded the Cholmondeley Award for Poets

BEHIND THE SCENES:
JILL SILVERMAN VAN COENEGRACHTS RECOMMENDS

BEHIND THE SCENES:
LINDA KARSHAN
Studio visit

BEHIND THE SCENES:
STEFANO CIGADA,
"Frammenti" at the Museo di Roma in Trastevere

HAPPY NEW YEAR 2020!

BEHIND THE SCENES:
PER KIRKEBY,
"Brick Sculptures"

BEHIND THE SCENES:
IDE TO PUGLIA
"Ceramic & Food Route",
Recent Summer 2019 Highlights

JSVC HIGHLIGHTS:
ART & LANGUAGE, LONDON

BEHIND THE SCENES:
DRAW ART FAIR LONDON

BEHIND THE SCENES:
ART & LANGUAGE, EXHIBITION AT GALERIE MICHAEL JANSSEN, Berlin

BEHIND THE SCENES:
DR. SUSANNE A. KUDIELKA,
Private art collecting is a passion

BEHIND THE SCENES:
KOEN VANMECHELEN
“It’s About Time”

BEHIND THE SCENES:
DAYDREAMING WITH STANLEY KUBRICK,
Exhibition at Somerset House, London

BEHIND THE SCENES:
RICHARD MILAZZO OBSZINE #3, ART, POETRY, AND THE PATHOS OF COMMUNICATION,
The Art of Impeachment
February 15th 2021
PART I
Paralyzed last week by the Impeachment Trial. The vote found me here at this desk on Rue de la Baume, where I have worked for eight years. A frozen Saturday evening, two computer screens blazing with MSNBC and CNN for the lead up to the vote. My 90 year old Mom sharing this with me on FaceTime. I heard her television on the kitchen table in the house where I was raised. Where my father lectured us at the dinner table about civil rights and Democratic politics. We are so far away and still we are together. She is not emotional, her raw cynical survival skills are greater than mine; I still live in hope. I thought a few more Republicans would vote their conscience. Ha!!
When the vote was called, she turned to me with a dry breath, “talk tomorrow, this is what we expected.” I could not look away as House Manager, Jamie Raskin with a voice like an Old Testament sage, seemed to be talking about people dancing around golden idols, destruction and violence surrounding their intoxication. I won’t reiterate his words; having lived through the first Impeachment while still traveling the world, tuning into C-span from a hotel room in Moscow, another in Milan. The second winter of pandemic, I am here still, in Paris for what feels like the end of the world. Not a virus, but evil wrong headed thinking, a big lie. THE BIG LIE.
Tears of sadness, frustration? I care too much; it is not a moot point, watching an accident in real time, frame by frame. How they hunted the Vice President and the Speaker of the House. Blood lust. I am not inventing this. Senators speak of Violence not seen since the Civil War. A vote allows witnesses. The counsel for the former President is an ambulance-chasing attorney from Philadelphia flashing a list of 300 people allegedly. Then one testimony that describes callous disregard for life by the former President.

PART II
The political and moral outrage that has rumbled through our veins since 2016 inspired Richard Milazzo, my esteemed friend, poet, critic and curator to accept the guest editorship of the online magazine OBSzine 3. In the wake of my wanting to reprint and share parts of this again, he has written me a letter.
But in large part it is for “our European Friends.”
“Jill,
How kind and generous of you to remember this project (Art, Poetry and the Pathos of Communication, published originally in OBSZine, No. 3 (2007), which I edited, it seems so long ago I can hardly remember, and to which so many splendid artists, critics, poets and writers, yourself included, contributed. (This online magazine, OBSzine, was founded an spearheaded by Lucio Pozzi, who years ago founded New Observations, when he reacted and broke away from the originators of October magazine. Quite the spirited young man!) And you are right: the words and insights of these contributors still seem pertinent, even if we have a new administration which would emphasize decency and the common good. “Still pertinent,” because the former failed CEO of the United States is now running a self-styled Jeff Davis, parallel, confederate (and counterfeit) administration from a red State that geographically looks more and more like a panting tongue.
I wonder if you would be kind enough to remind our dear European friends, whom I miss so terribly much, that the U.S. has not only a horrific foreign policy (I accidently typed policing) history, and an equally horrifying domestic legacy of racial and social injustice, but that we also have two abiding features I am extremely proud of – the only two I am really proud of: we are still capable of self-criticism or self-critique)even where we may fail, as in the case of the two recent impeachments, including the impending one); and all that is good and worthwhile about our country is built on the shoulders of our immigrants – those who often begin their lives here as poor and helpless but hopeful, and then, almost without fail, become an inspiration to all, endure, log and hard, and come to embody some of our proudest moments as a nation.”


PART III
“Right around the corner from where I live is a bronze plaque on a building where Emma Lazarus lived, memorializing the excerpt from the sonnet she wrote, “The New Colossus,” in 1883, words we have always and will always associate with the Statue of Liberty:
Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these the homeless, tempest-tossed to me,
I lift my lamp beside the golden door!
I TYPE THESE WORDS, SPEAKING THEM ALOUD, LINE BY LINE, AS I MEMORISED AND RECITED THEM INFRONT OF MY THIRD GRADE CLASS. WE ARE ALL IMMIGRANTS, MY TEACHER REMINDED US. JSVC
“Interestingly enough, all of us here in New York, who have taken the Staten Island Ferry solely to get a glimpse of the statue (none of us would ever dream of getting off the ferry), and those from around the world who have also passed through our “golden door(s)” to catch a glimpse of the Lady bequeathed to us by the French to celebrate the revolution they helped foment, have always believed, have always wanted to believe, these words are inscribed on the table she holds in her left hand. One woman’s gift to another woman and their gift to us.”

PART IV
“Here, again, sculpture and poetry speak to each other in one diverse but unified language Dialectics at work… Emma, who was Jewish, an activist, a poet, and extremely gifted in so many other cultural fields, died at the age of thirty-eight. But she has without a doubt inflamed our imaginations and those of others around the world forever with words that have become the soul of freedom inspiration, and potential.”
I grew up in an extremely racist family in one of the worst Housing Projects in America, and yet I am, or think I am, as far as I can see, color blind….but not really. I see all the colors – all the genders, all the spiritual persuasions – that comprise the United States of America, suddenly I become ecstatic, feel so full of life. This, despite the odds, the physical and spiritual (collective) illnesses we must bear at the moment as the pandemic continues to rage around the globe, giving us tragic but common cause to unite. (If I were going to call this text something, Jill, I would call it “the Poignancy of Dialectics.”)”

PART V
Richard continues his artful rhapsody on the nature of poetry, political thought, sculpture and social justice with “the young” and the dream consciousness of John Lennon — a fitting update since the magazine’s appearance three years ago. In many ways those of us in New York in the 1980’s would have perhaps been just a bit over that age delineation of being “the young” it seems a reflexive musing about time. In the articles and artworks that fill the pages of OBSzine, N.3, there is a flavor of rebellion and frustration which one carries always if this is the nature of your perceptions and poetic impulses. In what way were we young in those years?
Hard to say, the political climate felt oppressive, New York was transitioning from the bankrupt years of the 1970’s into the high blown shining city and art world mega capital that it would embody until the crash of 1990. The East Village was vibrant, Soho was starting to clean itself up. John Gibson Gallery opened the building at 568 Broadway. It was a time of possibility and seriousness, much of which is pointedly apparent in the memory rich poetics and pathos felt deeply during the last four years by this community. Richard Milazzo in combing the landscape, carries a lamplight of cultural possibility that might redeem us in the darkness. Read On. We will post selections later this week– collected views of this cultural neighborhood now thirty years on.
