
JILL SILVERMAN VAN COENEGRACHTS, FOUNDER JSVCprojects

UNAPOLOGETIC CONTENT.

BEHIND THE SCENES:
ESTHER SHALEV-GERZ,
KING & KING
A new sculpture
Installed in the United States

BEHIND THE SCENES:
SAVE THE DATE
BAD+
July 6-10 2022
HANGAR 14

BEHIND THE SCENES:
LINDA KARSHAN
Backstage filming ‘Two Feet Walking’
By Ishmael Annobil, Filmmaker
In response to the architecture of Murray Edwards College
Cambridge University
8th April 2022

A WALK IN MY LIBRARY:
HELMUT FEDERLE

BEHIND THE SCENES:
BENEDICTE DELAY WITH JASON BUTLER
‘ONE ON ONE’
Exhibition at ArtHouse Jersey
14 April – 2 May 2022

NATURE NOTES:
HELLO TO SPRING, PARIS

BEHIND THE SCENES:
A WALKED DRAWING, ‘TWO FEET WALKING’,
By Linda Karshan
In collaboration with Filmmaker, Ishmael Annobil
In response to the architecture of Murray Edwards College,
University of Cambridge

BEHIND THE SCENES:
ISHMAEL ANNOBIL, 'INSOMNIA'
Coming soon at L'Interstice, Arles
Opening on April 15, 2022

BEHIND THE SCENES:
JASON BUTLER, ‘ONE ON ONE’
Launch new ArtHouse exhibition space
Jersey, England

BEHIND THE SCENES:
ART & LANGUAGE, "THESE SCENES", 2016
Acquired by Centre Pompidou

BEHIND THE SCENES:
ESTHER SHALEV-GERZ
Bauhaus-Museum,
Weimar, Germany

BEHIND THE SCENES:
LOSING DAN GRAHAM
1942-2022

BEHIND THE SCENES:
THE DEVELOPMENT OF BAD+
BORDEAUX + ART + DESIGN
New dates: July 6-10 2022, at HANGAR 14

BEHIND THE SCENES:
2000 THANK YOU NOTES
7 February 2022

BEHIND THE SCENES:
NEW SPACE FOR JSVCPROJECTS

BEHIND THE SCENES:
ROBERT STONE
Debut with Haines Gallery at FOG Design + Art 2022
San Francisco, CA

BEHIND THE SCENES:
MISCHA KUBALL
nolde / kritik / documenta
A project by documenta archiv, Draiflessen Collection and Mischa Kuball
NEW DATE: FALL 2022

UNAPOLOGETIC CONTENT.

HAPPY NEW YEAR 2022!
WARM WISHES AND NEW ADVENTURES

BEHIND THE SCENES:
MINYADES
An exhibition of paintings by Richard Höglund
The Bonnier Gallery, Miami
December 2021
A Catalogue Essay

BEHIND THE SCENES:
MISCHA KUBALL
ReferenzRäume
Museum Morsbroich
5 December – 24 April 2022

BEHIND THE SCENES:
ABOUT THE TREES
Thanksgiving 2021

UNAPOLOGETIC CONTENT.

BEHIND THE SCENES:
THE WORLD MAP
Thanks to Mr Hide

BEHIND THE SCENES:
KOEN VANMECHELEN LABIOMISTA, GENK (BELGIUM)
The book launch and debate
“NOT TO BE MISTAKEN”, November, 4th

BEHIND THE SCENES:
OCTOBER 2021
"Linda Karshan: The Covid-19 Conversation"
Still in the limelight

BEHIND THE SCENES:
IDE TO POLAND
POSTSCRIPT PARIS

BEHIND THE SCENES:
IDE TO POLAND III
Out of the oven
Warsaw Sept 28-Oct 3

BEHIND THE SCENES:
HELMUT FEDERLE
NOVARTIS Campus – Forum 3, Basel
DIENER & DIENER - WIEDERIN
2005

BEHIND THE SCENES:
BETWEEN LISTENING AND TELLING
Esther Shalev Gerz
Nuit Blanche Paris,
Tonight

UNAPOLOGETIC CONTENT.

BEHIND THE SCENES:
ART BASEL HALL 2.0C1
René Schmitt and ART & LANGUAGE
THESE SCENES, 2016

BEHIND THE SCENES:
MISCHA KUBALL
Wolfsburg and Utopias

BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE

BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
Bright blue and white ceramics fill the dining room with warmth and visual appeal

BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
Starts today in Warsaw through 3 October

BEHIND THE SCENES:
ESTHER SHALEV-GERZ
SUMMER IN PARIS

UNAPOLOGETIC CONTENT.

BEHIND THE SCENES:
ON THE ROAD AGAIN
ARCO MADRID,
1st Art Fair in 2 years

UNAPOLOGETIC CONTENT.

UNAPOLOGETIC CONTENT.

UNAPOLOGETIC CONTENT.

BEHIND THE SCENES:
IN THE ARTIST'S STUDIO
JASON BUTLER "THE COLLAGES"
Pop-Up Exhibition, Jersey

STILL BEHIND THE SCENES:
NINA NOWAK'S EXHIBITION
Galleri Susanne Ottesen, Copenhagen

BEHIND THE SCENES:
PER KIRKEBY UNREALISED BRICK PROJECTS
Galleri Susanne Ottesen, Copenhagen

NEW ARRIVALS:
MISCHA KUBALL

A WALK IN MY LIBRARY:
HELMUT FEDERLE NIETZSCHE-HAUS SILS-MARIA
Schwabe AG Basel, 2004 Peter André Bloch & Jan Thorn-Prikker
on the occasion of Helmut Federle's "Edelweiss im Nietzsche-Haus, Sils-Maria" exhibition in Nietzsche's Haus, Sept 2004 to July 2005

BEHIND THE SCENES:
L'INTERSTICE ARLES OPENING
JOSETTE SAYERS AND GUILLAUME ZUILI'S PHOTOGRAPHS
Brave and fearless

BEHIND THE SCENES:
CONGRATULATIONS ISHMAEL ANNOBIL
DIRECTOR for "LINDA KARSHAN: COVID-19 CONVERSATION"
WINNER BEST SHORT DOCUMENTARY AT MYKONOS INTL FILM FES

BEHIND THE SCENES:
THE LAUNCH OF REAL TIME AND THE 3BS

BEHIND THE SCENES:
FLOWERS OF PERHAPS
LIOR GAL
ENGELS PLEIN, LEUVEN BELGIUM

BEHIND THE SCENES:
MATHILDE BRETILLOT DESIGNS NEW MUSEUM FOR LA MANUFACTURE DE GIEN

THIS TIME TWO YEARS AGO:
DRAW ART FAIR, LONDON, 2019, DESIGNER MATHILDE BRETILLOT AND ARCHITECT MISKA MILLER-LOVEGROVE

NEW ARRIVALS:
WETTERLING, STOCKHOLM

A WALK IN MY LIBRARY:
HELMUT FEDERLE
ABSTRACT PAINTING OF AMERICA AND EUROPE
Ritter Verlag, Galerie nächst St. Stephan, Vienna Rosemarie Schwarzwälder, 1988

BEHIND THE SCENES:
LUKAS HOFFMANN, CNAP ACQUISITION AND TWO EXHIBITIONS

BEHIND THE SCENES:
ESTHER SHALEV-GERZ, WEFRAC 2021

BEHIND THE SCENES:
"LINDA KARSHAN: COVID-19 CONVERSATION"
selected by Nawada and Hollywood Boulevard Festivals

BEHIND THE SCENES:
ESTHER SHALEV-GERZ
CNAP ACQUISITION,
"Describing Labor", 2012

BEHIND THE SCENES:
A STUDIO VISIT WITH DEANNA PETHERBRIDGE

BEHIND THE SCENES:
JSVCPROJECTS & INTERNATIONAL DESIGN EXPEDITIONS

BEHIND THE SCENES:
HELMUT FEDERLE IN NEW YORK

BEHIND THE SCENES:
RICHARD MILAZZO OBSZINE #3
The Sadness of Bad Thinking

BEHIND THE SCENES:
RICHARD MILAZZO OBSZINE #3, ART, POETRY, AND THE PATHOS OF COMMUNICATION,
The Art of Impeachment

BEHIND THE SCENES:
WITH POET/CURATOR RICHARD MILAZZO
REVISITING OBSZINE #3

A WALK IN MY LIBRARY:
POETRY IN SEDITIOUS TIMES

HAPPY NEW YEAR AND SOUVENIRS FROM 2020!

A WALK IN MY LIBRARY:
DECEMBER 31, 2020
JASON BUTLER'S EXHIBITION
Meyer Schapiro, “Theory and Philosophy of Art: Style, Artist and Society

BEHIND THE SCENES:
LIOR GALL, BRUSSELS, 2020

HIGHLIGHT:
LOVE LETTERS
A new participative project by artist Koen Vanmechelen

BEHIND THE SCENES:
LINDA KARSHAN AND THE BROOKLYN RAIL

BEHIND THE SCENES:
NOVEMBER 2020, LINDA KARSHAN
The Covid Conversation, A New Film

A WALK IN MY LIBRARY:
PARIS, NOV. 6, 2020
ABËTËI by Ishmael Fiifi Annobil

BEHIND THE SCENES:
MATHILDE BRETILLOT
Designs new offices for Parfums de Marly, Paris

BEHIND THE SCENES:
BERLIN STUDIO VISIT - LUKAS HOFFMANN

BEHIND THE SCENES:
BERLIN

BEHIND THE SCENES:
GALERIE NÄCHST ST. STEPHAN ROSEMARIE SCHWARZWÄLDER, VIENNA
Friederike Mayröcker, Curator Hans Ulrich Obrist - until 10 Oct
Schutzgeister/Guardian Spirits

BEHIND THE SCENES:
JSVCPROJECTS AND KOEN VANMECHELEN
The Battery Channel Podcast

BEHIND THE SCENES:
ARTISTS IN THE STUDIO, JERSEY

BEHIND THE SCENES:
MANIFEST OF THE TRUE

A WALK IN MY LIBRARY:
3 LOVE POEMS IN THE SUMMER

BEHIND THE SCENES:
SUMMER NEWS

BEHIND THE SCENES:
ROD MENGHAM,
Awarded the Cholmondeley Award for Poets

BEHIND THE SCENES:
JILL SILVERMAN VAN COENEGRACHTS RECOMMENDS

BEHIND THE SCENES:
LINDA KARSHAN
Studio visit

BEHIND THE SCENES:
STEFANO CIGADA,
"Frammenti" at the Museo di Roma in Trastevere

HAPPY NEW YEAR 2020!

BEHIND THE SCENES:
PER KIRKEBY,
"Brick Sculptures"

BEHIND THE SCENES:
IDE TO PUGLIA
"Ceramic & Food Route",
Recent Summer 2019 Highlights

JSVC HIGHLIGHTS:
ART & LANGUAGE, LONDON

BEHIND THE SCENES:
DRAW ART FAIR LONDON

BEHIND THE SCENES:
ART & LANGUAGE, EXHIBITION AT GALERIE MICHAEL JANSSEN, Berlin

BEHIND THE SCENES:
DR. SUSANNE A. KUDIELKA,
Private art collecting is a passion

BEHIND THE SCENES:
KOEN VANMECHELEN
“It’s About Time”

BEHIND THE SCENES:
DAYDREAMING WITH STANLEY KUBRICK,
Exhibition at Somerset House, London

BEHIND THE SCENES:
BERLIN
October 7th 2020
Part I
Gallery weekend
11, 12 September, 2020
Everything takes longer now, including the decision to fly to Berlin after so many months staying home. Last year spent real time there with our collaborative Art & Language exhibition at Galerie Michael Janssen; I missed my friends, artists and colleagues. It seemed a moment to celebrate the last project MJ would mount in this great storefront gallery I love. They just now moved to offices down the block until a new gallery space is found.
Super fresh painting. Till Gerhard, We’re all like Mirrors, dreamy and exciting surprises galore. Not the kind I usually embrace, but suddenly, in this time, having spent months looking at art only in my library and on my laptop, the sheer delight of his unique convergences, color and narrative, wicked and magical at the same time; partially recognizable scenes, photo albums from long ago family outings, or odd Scandi Noir television moments. His taut ambivalence between innocence and destruction drives their pictorial nature into something compelling.

Acid colors, transparent veils over quasi-photographic imagery either come in or out of focus. Sometimes the subjects are directly in your line of vision, walking at you, staring at us blindly. What are they doing? Something unsettles the eye and sets it deep into the foreground looking for clues.

Groups of children, or adults caught in another reality where something has just happened or is about to. His night scenes of lovers in a lake hover under psychedelic skies. Washes of color across Gerhard’s work are high voltage and filmic. His subjects dissolve in and out of focus; painterly prisons of layered color like camouflage keep us from getting too near what is going on. But he makes me want to see, keeping my eye fixed on this unsettled territory. Idiosyncratic voyeurism couched in radical painting. Keep looking.



PART II
Customary dinner outside at Paris Bar the night before the opening of Till Gerhard’s show. I stay around the corner always at the Savoy, a habit since 1997 when Thomas Schulte booked me there in the Marlene Dietrich suite for 75DM; we shared a booth at an early edition of Berlin Art Fair. I was MD at LISSON then, wanted a satellite in Berlin. Walking in Charlottenburg I always felt oddly at home. Many dinners and parties always at Paris Bar. Maybe then still homesick for the New York art world dinners at Barocco in Tribeca, a place where there were always people you knew, at the bar, at a table.


Paris Bar is this, like the Kunsthalle in Basel, or the Kronenhalle in Zurich a place you can go alone and always fit in; the waiters are the same, the menu is the same, the art on the walls and reverence for artists makes it feel like an extension of the gallery or artists studio. So this year after months at home, sitting with Till and Michael outside for dinner, like a genuine holiday yet also an extension of the last time. Nerves taut the night before an opening. The show is up, the work lives or dies on its merits. Few people say anything about how hard this feels. Even for a gallerist who hopes to place the works well. Expectations run high, fear mounts higher. Without a word you finish the installation, and leave the gallery looking for relief.

Dinner is my first meeting with Till Gerhard, lanky tallness and physical calm; I am surprised after hours with his fiery, edgy, nervy paintings, feeling dangerous. He is soft-spoken and thoughtful. Easy going, experienced, one would say, artist entering mid-career. His fourth show at the gallery with a place in the German art scene, but is new to me. I try to contextualize his work in a neighborhood with artists I once worked with like Daniel Richter and Jules de Balincourt. He is near but still quite far his piercing melodramas embrace an oddness you cannot decipher.