JILL SILVERMAN VAN COENEGRACHTS, FOUNDER JSVCprojects
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
ESTHER SHALEV-GERZ,
KING & KING
A new sculpture
Installed in the United States
BEHIND THE SCENES:
SAVE THE DATE
BAD+
July 6-10 2022
HANGAR 14
BEHIND THE SCENES:
LINDA KARSHAN
Backstage filming ‘Two Feet Walking’
By Ishmael Annobil, Filmmaker
In response to the architecture of Murray Edwards College
Cambridge University
8th April 2022
A WALK IN MY LIBRARY:
HELMUT FEDERLE
BEHIND THE SCENES:
BENEDICTE DELAY WITH JASON BUTLER
‘ONE ON ONE’
Exhibition at ArtHouse Jersey
14 April – 2 May 2022
NATURE NOTES:
HELLO TO SPRING, PARIS
BEHIND THE SCENES:
A WALKED DRAWING, ‘TWO FEET WALKING’,
By Linda Karshan
In collaboration with Filmmaker, Ishmael Annobil
In response to the architecture of Murray Edwards College,
University of Cambridge
BEHIND THE SCENES:
ISHMAEL ANNOBIL, 'INSOMNIA'
Coming soon at L'Interstice, Arles
Opening on April 15, 2022
BEHIND THE SCENES:
JASON BUTLER, ‘ONE ON ONE’
Launch new ArtHouse exhibition space
Jersey, England
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ART & LANGUAGE, "THESE SCENES", 2016
Acquired by Centre Pompidou
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ESTHER SHALEV-GERZ
Bauhaus-Museum,
Weimar, Germany
BEHIND THE SCENES:
LOSING DAN GRAHAM
1942-2022
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THE DEVELOPMENT OF BAD+
BORDEAUX + ART + DESIGN
New dates: July 6-10 2022, at HANGAR 14
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2000 THANK YOU NOTES
7 February 2022
BEHIND THE SCENES:
NEW SPACE FOR JSVCPROJECTS
BEHIND THE SCENES:
ROBERT STONE
Debut with Haines Gallery at FOG Design + Art 2022
San Francisco, CA
BEHIND THE SCENES:
MISCHA KUBALL
nolde / kritik / documenta
A project by documenta archiv, Draiflessen Collection and Mischa Kuball
NEW DATE: FALL 2022
UNAPOLOGETIC CONTENT.
HAPPY NEW YEAR 2022!
WARM WISHES AND NEW ADVENTURES
BEHIND THE SCENES:
LINDA KARSHAN
Backstage filming ‘Two Feet Walking’
By Ishmael Annobil, Filmmaker
In response to the architecture of Murray Edwards College
Cambridge University
8th April 2022
May 9th 2022
“I couldn’t shake the feeling of the tap shoes in space. It was with me all the time. It created an energetic structure.”
Jill Silverman van Coenegrachts on Karshan’s first walked drawing at Saatchi Gallery for Draw London Art Fair 2019.
In the early evening of Friday 8th April in the Brutalist building of Murray Edwards College, Cambridge, Linda Karshan performed ‘Two Feet Walking’, the latest iteration of her remarkable walked drawings. Here are the backstahe images of her performance.
Extract from Money + Art Press release:
Starting in the Rosemary Murray Library, home to over 60,000 books and the scene of countless hours of reading, thinking and writing, Karshan will produce a different and complementary type of knowledge: one that uses the body and the senses to acquire a better understanding of the world.
Karshan’s art evolves in a creative zone similar to the ‘transitional space’, described by British psychoanalyst Donald Winnicott as being located between internal and external reality. She accesses it by following an internal rhythm 1-2, 3-4, 5-6, 7-8 (turn) to draw lines that are either walked in steps or made on paper. Sometimes she stops “to embellish a particular point with a few steps of dancelike footwork.” (Ishmael Annobil, filmmaker and collaborator).
Filmmaker and poet, Ishmael Annobil is the collaborator with Linda Karshan on all her walked drawings. Of “Two Feet Walking” he says,
“After reviewing our first recce in October, I realised we were missing a crucial element: Books. Linda’s practice dwells within classical and contemporary bibliography. The obvious solution was to co-opt the Rosemary Edwards Library. It gave me the opportunity to develop a dichotomous scheme for the walk, reflecting the anthropological logic of “pantomime after high formality”. Interestingly, this new scheme also presented two different acoustic environments, one soft and the other hard and resonant, which I decided to link with a poetic gesture: a chair for Linda to sit and change into her waiting tap shoes. Cinematography, too, will reflect the spatial contrast by juxtaposing angular shots with flowing shots – formal and informal. For extra fluidity, I decided to wedge open all doors, as opposed to an original idea of Linda opening doors herself to suggest questing.”
Biography:
Linda Karshan, American, b. 1947 was educated at Skidmore College, Saratoga Springs, NY (1965- 67); the Sorbonne, Paris (1967-68); and the Slade School of Fine Art, University College London (1969). In 1983, she earned a Masters in Humanistic Psychology from Antioch Centre for British Studies, London. Her MA thesis, entitled Play, Creativity and the Birth of the Self, focused on D.W. Winnicott’s theories of transitional space and creativity, which are central to Karshan’s artistic practice.
Solo museum exhibitions include: Museum Pfalzgalerie Kaiserslautern, Germany (2013); Kettle’s Yard, Cambridge, UK (2003); Sir John Soane’s Museum, London, UK (2002); Institut Valencia d’Art Modern, Valencia, Spain (2002).
Group exhibitions include: The Courtauld, London, UK (2014, 2012), Kettle’s Yard, Cambridge, UK (2013, 2010), Kupferstichkabinett, Berlin, Germany (2013), British Museum, London, UK (2010), Graphische Sammlung, Munich, Germany (2009), and Folkwang Museum, Essen, Germany (2008).
She regularly exhibits with several galleries in Europe, and with ART 3 in Brooklyn, NY.
Linda Karshan’s drawings, prints and artist’s books are held in public and private collections, including, in the UK: The British Library, The British Museum, The Courtauld Institute of Art, Sir
John Soane’s Museum, Tate Modern, The Arts Council Collection, The Ashmolean Museum, Oxford, Kettle’s Yard, Cambridge, Middlesbrough Institute of Modern Art (MIMA), Middlesbrough, England; in the US: Fine Arts Museums of San Francisco; Fogg Museum, Harvard University, Cambridge, MA; Walker Art Center, Minneapolis, MN; The Morgan Library & Museum, New York, NY. A suite of thirteen prints have been recently acquired by the Metropolitan Museum of Art.
More info: