BEHIND THE SCENES:
MINYADES
An exhibition of paintings by Richard Höglund
The Bonnier Gallery, Miami
December 2021
A Catalogue Essay
BEHIND THE SCENES:
MISCHA KUBALL
ReferenzRäume
Museum Morsbroich
5 December – 24 April 2022
BEHIND THE SCENES:
ABOUT THE TREES
Thanksgiving 2021
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
THE WORLD MAP
Thanks to Mr Hide
BEHIND THE SCENES:
KOEN VANMECHELEN LABIOMISTA, GENK (BELGIUM)
The book launch and debate
“NOT TO BE MISTAKEN”, November, 4th
BEHIND THE SCENES:
OCTOBER 2021
"Linda Karshan: The Covid-19 Conversation"
Still in the limelight
BEHIND THE SCENES:
IDE TO POLAND
POSTSCRIPT PARIS
BEHIND THE SCENES:
IDE TO POLAND III
Out of the oven
Warsaw Sept 28-Oct 3
BEHIND THE SCENES:
HELMUT FEDERLE
NOVARTIS Campus – Forum 3, Basel
DIENER & DIENER - WIEDERIN
2005
BEHIND THE SCENES:
BETWEEN LISTENING AND TELLING
Esther Shalev Gerz
Nuit Blanche Paris,
Tonight
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
ART BASEL HALL 2.0C1
René Schmitt and ART & LANGUAGE
THESE SCENES, 2016
BEHIND THE SCENES:
MISCHA KUBALL
Wolfsburg and Utopias
BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
Bright blue and white ceramics fill the dining room with warmth and visual appeal
BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
Starts today in Warsaw through 3 October
BEHIND THE SCENES:
ESTHER SHALEV-GERZ
SUMMER IN PARIS
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
ON THE ROAD AGAIN
ARCO MADRID,
1st Art Fair in 2 years
UNAPOLOGETIC CONTENT.
UNAPOLOGETIC CONTENT.
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
IN THE ARTIST'S STUDIO
JASON BUTLER "THE COLLAGES"
Pop-Up Exhibition, Jersey
STILL BEHIND THE SCENES:
NINA NOWAK'S EXHIBITION
Galleri Susanne Ottesen, Copenhagen
BEHIND THE SCENES:
PER KIRKEBY UNREALISED BRICK PROJECTS
Galleri Susanne Ottesen, Copenhagen
NEW ARRIVALS:
MISCHA KUBALL
A WALK IN MY LIBRARY:
HELMUT FEDERLE NIETZSCHE-HAUS SILS-MARIA
Schwabe AG Basel, 2004 Peter André Bloch & Jan Thorn-Prikker
on the occasion of Helmut Federle's "Edelweiss im Nietzsche-Haus, Sils-Maria" exhibition in Nietzsche's Haus, Sept 2004 to July 2005
BEHIND THE SCENES:
L'INTERSTICE ARLES OPENING
JOSETTE SAYERS AND GUILLAUME ZUILI'S PHOTOGRAPHS
Brave and fearless
BEHIND THE SCENES:
CONGRATULATIONS ISHMAEL ANNOBIL
DIRECTOR for "LINDA KARSHAN: COVID-19 CONVERSATION"
WINNER BEST SHORT DOCUMENTARY AT MYKONOS INTL FILM FES
BEHIND THE SCENES:
THE LAUNCH OF REAL TIME AND THE 3BS
BEHIND THE SCENES:
FLOWERS OF PERHAPS
LIOR GAL
ENGELS PLEIN, LEUVEN BELGIUM
BEHIND THE SCENES:
MATHILDE BRETILLOT DESIGNS NEW MUSEUM FOR LA MANUFACTURE DE GIEN
THIS TIME TWO YEARS AGO:
DRAW ART FAIR, LONDON, 2019, DESIGNER MATHILDE BRETILLOT AND ARCHITECT MISKA MILLER-LOVEGROVE
NEW ARRIVALS:
WETTERLING, STOCKHOLM
A WALK IN MY LIBRARY:
HELMUT FEDERLE
ABSTRACT PAINTING OF AMERICA AND EUROPE
Ritter Verlag, Galerie nächst St. Stephan, Vienna Rosemarie Schwarzwälder, 1988
BEHIND THE SCENES:
LUKAS HOFFMANN, CNAP ACQUISITION AND TWO EXHIBITIONS
BEHIND THE SCENES:
ESTHER SHALEV-GERZ, WEFRAC 2021
BEHIND THE SCENES:
"LINDA KARSHAN: COVID-19 CONVERSATION"
selected by Nawada and Hollywood Boulevard Festivals
BEHIND THE SCENES:
ESTHER SHALEV-GERZ
CNAP ACQUISITION,
"Describing Labor", 2012
BEHIND THE SCENES:
A STUDIO VISIT WITH DEANNA PETHERBRIDGE
BEHIND THE SCENES:
JSVCPROJECTS & INTERNATIONAL DESIGN EXPEDITIONS
BEHIND THE SCENES:
HELMUT FEDERLE IN NEW YORK
BEHIND THE SCENES:
RICHARD MILAZZO OBSZINE #3
The Sadness of Bad Thinking
BEHIND THE SCENES:
RICHARD MILAZZO OBSZINE #3, ART, POETRY, AND THE PATHOS OF COMMUNICATION,
The Art of Impeachment
BEHIND THE SCENES:
WITH POET/CURATOR RICHARD MILAZZO
REVISITING OBSZINE #3
A WALK IN MY LIBRARY:
POETRY IN SEDITIOUS TIMES
HAPPY NEW YEAR AND SOUVENIRS FROM 2020!
BEHIND THE SCENES:
SAVE THE DATE
BAD+
July 6-10 2022
HANGAR 14
May 16th 2022
PART I
The first edition of BAD+ Bordeaux + Art + Design, a new art and design salon, will launch in Bordeaux, July 6 – 10, 2022, presented in the iconic two storey concrete and steel industrial building HANGAR 14 on the banks of the Garonne.
At the initiative of Jean-Daniel Compain and Congrès Bordeaux Exposition, joined by Jill Silverman van Coenegrachts, BAD+ intends to illustrate the exceptional diversity of creation, honouring the alliance between past, present and future. Contemporary is always new and fresh in its time.
By taking root in Bordeaux—a historic territory, rich in great cultural institutions such as the CAPC, the MECA, the Museum of Decorative Arts and Design or the FRAC Aquitaine, BAD+ will be part of a week of art, design and l’art de vivre which will implicate the whole city and its surroundings.
PART II
“BAD+, is art and design exhibited, seen, deciphered, debated and appreciated in a renovated iconic industrial building, HANGAR 14.
BAD+ is about discovery, it should be fun, exciting, spontaneous, adventurous, joyful, questioning.”
Jill Silverman van Coenegrachts, Artistic Director
Excerpt from an interview between Jean-Daniel Compain, General Director, and Jill Silverman van Coenegrachts, Artistic Director:
“How did you think about and decide on the artistic line of BAD+ ?”
“As Jean-Daniel said, art is consubstantial with l’art de vivre and everything that is undertaken must support the idea that art is part of life, everyday life, from the birth of the modern spirit in the 19th Century with Impressionism, photography, Art Nouveau, Art Deco, Modernism to contemporary art and design today.
BAD+ makes this idea a reality. BAD+, is contemporary art and design exhibited, seen, deciphered, I would say ‘experienced’, debated, appreciated and we hope, purchased, in a renovated iconic industrial building—HANGAR 14, on the banks of the river Garonne—set against the backdrop of an internationally renowned 18th Century city—Bordeaux.
BAD+, is about discovery, it should be fun, exciting, spontaneous, adventurous, joyful, questioning. It is all of these things, while being a think-tank, a community for artists, galleries, collectors and cultural institutions, a destination for art lovers.
Jill Silverman van Coenegrachts, Artistic Director
The BAD+ art line is a unique thread that winds between art, design and architecture, between art and climate change, between art and sustainability, between art and urbanism, between art and agriculture, between art and wine. Everything that makes life today.”
PART III
“I have been telling people that it is new concept that is based on the intimacy and creativity and informal qualities of art making in the studio and the casual relaxed qualities in the back rooms of galeries where the work is seen in a manner that is not simply theatrical. It is closer to the artist himself. And as such more open and accessible for viewers of all experiences.
It is not the same old model.
It is putting the content of the work front and center where intrinsic value can shine. Where the visitor will be enchanted and impressed to ask about how the work is created and why before they ask the price.
We are doing two dialectic processes. Opening the art world in a transparent way and demystifying the snobbery and frumpery that makes people feel there is nothing in art for them because they are not super wealthy. We want to share the passion for art and show with grace the way collecting over time with passion leads to great pleasure. Whatever ones economic bracket.
Jill Silverman van Coenegrachts, Artistic Director
It is for everyone!! And one of life’s most enduring human experiences.”