BEHIND THE SCENES:
MINYADES
An exhibition of paintings by Richard Höglund
The Bonnier Gallery, Miami
December 2021
A Catalogue Essay
BEHIND THE SCENES:
MISCHA KUBALL
ReferenzRäume
Museum Morsbroich
5 December – 24 April 2022
BEHIND THE SCENES:
ABOUT THE TREES
Thanksgiving 2021
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
THE WORLD MAP
Thanks to Mr Hide
BEHIND THE SCENES:
KOEN VANMECHELEN LABIOMISTA, GENK (BELGIUM)
The book launch and debate
“NOT TO BE MISTAKEN”, November, 4th
BEHIND THE SCENES:
OCTOBER 2021
"Linda Karshan: The Covid-19 Conversation"
Still in the limelight
BEHIND THE SCENES:
IDE TO POLAND
POSTSCRIPT PARIS
BEHIND THE SCENES:
IDE TO POLAND III
Out of the oven
Warsaw Sept 28-Oct 3
BEHIND THE SCENES:
HELMUT FEDERLE
NOVARTIS Campus – Forum 3, Basel
DIENER & DIENER - WIEDERIN
2005
BEHIND THE SCENES:
BETWEEN LISTENING AND TELLING
Esther Shalev Gerz
Nuit Blanche Paris,
Tonight
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
ART BASEL HALL 2.0C1
René Schmitt and ART & LANGUAGE
THESE SCENES, 2016
BEHIND THE SCENES:
MISCHA KUBALL
Wolfsburg and Utopias
BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
Bright blue and white ceramics fill the dining room with warmth and visual appeal
BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
Starts today in Warsaw through 3 October
BEHIND THE SCENES:
ESTHER SHALEV-GERZ
SUMMER IN PARIS
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
ON THE ROAD AGAIN
ARCO MADRID,
1st Art Fair in 2 years
UNAPOLOGETIC CONTENT.
UNAPOLOGETIC CONTENT.
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
IN THE ARTIST'S STUDIO
JASON BUTLER "THE COLLAGES"
Pop-Up Exhibition, Jersey
STILL BEHIND THE SCENES:
NINA NOWAK'S EXHIBITION
Galleri Susanne Ottesen, Copenhagen
BEHIND THE SCENES:
PER KIRKEBY UNREALISED BRICK PROJECTS
Galleri Susanne Ottesen, Copenhagen
NEW ARRIVALS:
MISCHA KUBALL
A WALK IN MY LIBRARY:
HELMUT FEDERLE NIETZSCHE-HAUS SILS-MARIA
Schwabe AG Basel, 2004 Peter André Bloch & Jan Thorn-Prikker
on the occasion of Helmut Federle's "Edelweiss im Nietzsche-Haus, Sils-Maria" exhibition in Nietzsche's Haus, Sept 2004 to July 2005
BEHIND THE SCENES:
L'INTERSTICE ARLES OPENING
JOSETTE SAYERS AND GUILLAUME ZUILI'S PHOTOGRAPHS
Brave and fearless
BEHIND THE SCENES:
CONGRATULATIONS ISHMAEL ANNOBIL
DIRECTOR for "LINDA KARSHAN: COVID-19 CONVERSATION"
WINNER BEST SHORT DOCUMENTARY AT MYKONOS INTL FILM FES
BEHIND THE SCENES:
THE LAUNCH OF REAL TIME AND THE 3BS
BEHIND THE SCENES:
FLOWERS OF PERHAPS
LIOR GAL
ENGELS PLEIN, LEUVEN BELGIUM
BEHIND THE SCENES:
MATHILDE BRETILLOT DESIGNS NEW MUSEUM FOR LA MANUFACTURE DE GIEN
THIS TIME TWO YEARS AGO:
DRAW ART FAIR, LONDON, 2019, DESIGNER MATHILDE BRETILLOT AND ARCHITECT MISKA MILLER-LOVEGROVE
NEW ARRIVALS:
WETTERLING, STOCKHOLM
A WALK IN MY LIBRARY:
HELMUT FEDERLE
ABSTRACT PAINTING OF AMERICA AND EUROPE
Ritter Verlag, Galerie nächst St. Stephan, Vienna Rosemarie Schwarzwälder, 1988
BEHIND THE SCENES:
LUKAS HOFFMANN, CNAP ACQUISITION AND TWO EXHIBITIONS
BEHIND THE SCENES:
ESTHER SHALEV-GERZ, WEFRAC 2021
BEHIND THE SCENES:
"LINDA KARSHAN: COVID-19 CONVERSATION"
selected by Nawada and Hollywood Boulevard Festivals
BEHIND THE SCENES:
ESTHER SHALEV-GERZ
CNAP ACQUISITION,
"Describing Labor", 2012
BEHIND THE SCENES:
A STUDIO VISIT WITH DEANNA PETHERBRIDGE
BEHIND THE SCENES:
JSVCPROJECTS & INTERNATIONAL DESIGN EXPEDITIONS
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HELMUT FEDERLE IN NEW YORK
BEHIND THE SCENES:
RICHARD MILAZZO OBSZINE #3
The Sadness of Bad Thinking
BEHIND THE SCENES:
RICHARD MILAZZO OBSZINE #3, ART, POETRY, AND THE PATHOS OF COMMUNICATION,
The Art of Impeachment
BEHIND THE SCENES:
WITH POET/CURATOR RICHARD MILAZZO
REVISITING OBSZINE #3
A WALK IN MY LIBRARY:
POETRY IN SEDITIOUS TIMES
HAPPY NEW YEAR AND SOUVENIRS FROM 2020!
BEHIND THE SCENES:
CONGRATULATIONS ISHMAEL ANNOBIL
DIRECTOR for “LINDA KARSHAN: COVID-19 CONVERSATION”
WINNER BEST SHORT DOCUMENTARY AT MYKONOS INTL FILM FES
June 11th 2021
PART I
JSVCprojects is very excited as ASSOCIATE PRODUCER of this film. It is a pleasure to receive the recognition and support of the international film industry and the meaningful work that creative like-minded collaborations bring to light.
They write:
The joint project that fosters cultural exchange between visual art and expert filmmaking has a vital role to play in building stronger communities around the world; I am delighted to support this recognition which celebrates everyone involved in this fantastic project. Really heartfelt congratulations to all involved.
Mykonos International Film Festival
This is the 3rd award the film has received since its release.
See the wins and nominations tally below.
WINS:
1. Winner, Luleå International Film Festival (Best Covid19 Documentary)
2. Diamond Award Winner, Nawada International Film Festival 2nd Season (Best Covid Documentary)
3. Winner, Mykonos Film Festival (Best Short Documentary)
NOMINATIONS, etc:
1. Finalist, Sweden Film Awards (Best Covid-19 Film)
2. Shortlisted, ARFF
3. Nominee, Hollywood Blvd Film Festival (Best Documentary)
4. Nominee, Florence Film Awards, (Best Short Documentary)
5. Nominee, Five Continents International Film Festival (best Documentary Short)
6. Nominee, 2021 ARFF Berlin International Awards (Best Short Documentary)
7. Nominee, Cinalfama Lisbon International Film Awards (Best Medium or Feature Length Film)
Congratulations to the team:
Ishmael Annobil (Director/Editor), Linda Karshan, Max Mallen (Cinematographer/Sound Recordist), and Nick Kulukundis (Sound Engineer), and also Allison Wucher (Archivist/Photographer), Roger Karshan (Photographer), Jill Silverman van Coenegrachts (Associate Producer), and the Joseph and Steinfeldt families.
PART II
When the pandemic began, Linda Karshan was in New York, I was in London getting ready to fly over. The first reports of people getting ill in Maastricht, and some coming back from the Armory also becoming ill made me cancel all my travel. Linda and I spoke a lot in those first weeks of not really knowing what was happening but sensing this was serious on a scale we had never before seen. I suggested she take the measure of this moment in her body and with her walking posture channel what it felt like in New York. This was her mantra for weeks and months, then she went up to Connecticut and continued the deep dive into channeling the grief and pain that was everywhere. I didn’t know the story of her courageous father who was afflicted by polio as a young lawyer and father of three in Minneapolis in the 1950’s. This information came later, slowly, in incremental parts of our work related conversations when she would show me drawings on FaceTime.
As the months dragged on, it became all too clear what was happening and how deeply affected the entire world was. She kept making drawings, one after the other. They were perhaps the best work she had made after decades of practice. It was obvious. You felt it like a bell. Then Ishmael Annobil with whom she was collaborating on films of the Walked Drawings said he needed to make this film about the series, and went to the studio to discuss this with her, the story of her father sprang into high relief, and the discussion was filmed in one take. This is the half hour documentary that is winning accolades across the globe. It was a year that humbled us all 2020, this film is a rich reward for the solitude, quiet, and darkness we all experienced together. For this artist and this filmmaker the story telling was light at the end of that tunnel.
How lucky we are.