BEHIND THE SCENES:
MINYADES
An exhibition of paintings by Richard Höglund
The Bonnier Gallery, Miami
December 2021
A Catalogue Essay
BEHIND THE SCENES:
MISCHA KUBALL
ReferenzRäume
Museum Morsbroich
5 December – 24 April 2022
BEHIND THE SCENES:
ABOUT THE TREES
Thanksgiving 2021
UNAPOLOGETIC CONTENT.
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THE WORLD MAP
Thanks to Mr Hide
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KOEN VANMECHELEN LABIOMISTA, GENK (BELGIUM)
The book launch and debate
“NOT TO BE MISTAKEN”, November, 4th
BEHIND THE SCENES:
OCTOBER 2021
"Linda Karshan: The Covid-19 Conversation"
Still in the limelight
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IDE TO POLAND
POSTSCRIPT PARIS
BEHIND THE SCENES:
IDE TO POLAND III
Out of the oven
Warsaw Sept 28-Oct 3
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HELMUT FEDERLE
NOVARTIS Campus – Forum 3, Basel
DIENER & DIENER - WIEDERIN
2005
BEHIND THE SCENES:
BETWEEN LISTENING AND TELLING
Esther Shalev Gerz
Nuit Blanche Paris,
Tonight
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
ART BASEL HALL 2.0C1
René Schmitt and ART & LANGUAGE
THESE SCENES, 2016
BEHIND THE SCENES:
MISCHA KUBALL
Wolfsburg and Utopias
BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
Bright blue and white ceramics fill the dining room with warmth and visual appeal
BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
Starts today in Warsaw through 3 October
BEHIND THE SCENES:
ESTHER SHALEV-GERZ
SUMMER IN PARIS
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
ON THE ROAD AGAIN
ARCO MADRID,
1st Art Fair in 2 years
UNAPOLOGETIC CONTENT.
UNAPOLOGETIC CONTENT.
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
IN THE ARTIST'S STUDIO
JASON BUTLER "THE COLLAGES"
Pop-Up Exhibition, Jersey
STILL BEHIND THE SCENES:
NINA NOWAK'S EXHIBITION
Galleri Susanne Ottesen, Copenhagen
BEHIND THE SCENES:
PER KIRKEBY UNREALISED BRICK PROJECTS
Galleri Susanne Ottesen, Copenhagen
NEW ARRIVALS:
MISCHA KUBALL
A WALK IN MY LIBRARY:
HELMUT FEDERLE NIETZSCHE-HAUS SILS-MARIA
Schwabe AG Basel, 2004 Peter André Bloch & Jan Thorn-Prikker
on the occasion of Helmut Federle's "Edelweiss im Nietzsche-Haus, Sils-Maria" exhibition in Nietzsche's Haus, Sept 2004 to July 2005
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L'INTERSTICE ARLES OPENING
JOSETTE SAYERS AND GUILLAUME ZUILI'S PHOTOGRAPHS
Brave and fearless
BEHIND THE SCENES:
CONGRATULATIONS ISHMAEL ANNOBIL
DIRECTOR for "LINDA KARSHAN: COVID-19 CONVERSATION"
WINNER BEST SHORT DOCUMENTARY AT MYKONOS INTL FILM FES
BEHIND THE SCENES:
THE LAUNCH OF REAL TIME AND THE 3BS
BEHIND THE SCENES:
FLOWERS OF PERHAPS
LIOR GAL
ENGELS PLEIN, LEUVEN BELGIUM
BEHIND THE SCENES:
MATHILDE BRETILLOT DESIGNS NEW MUSEUM FOR LA MANUFACTURE DE GIEN
THIS TIME TWO YEARS AGO:
DRAW ART FAIR, LONDON, 2019, DESIGNER MATHILDE BRETILLOT AND ARCHITECT MISKA MILLER-LOVEGROVE
NEW ARRIVALS:
WETTERLING, STOCKHOLM
A WALK IN MY LIBRARY:
HELMUT FEDERLE
ABSTRACT PAINTING OF AMERICA AND EUROPE
Ritter Verlag, Galerie nächst St. Stephan, Vienna Rosemarie Schwarzwälder, 1988
BEHIND THE SCENES:
LUKAS HOFFMANN, CNAP ACQUISITION AND TWO EXHIBITIONS
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ESTHER SHALEV-GERZ, WEFRAC 2021
BEHIND THE SCENES:
"LINDA KARSHAN: COVID-19 CONVERSATION"
selected by Nawada and Hollywood Boulevard Festivals
BEHIND THE SCENES:
ESTHER SHALEV-GERZ
CNAP ACQUISITION,
"Describing Labor", 2012
BEHIND THE SCENES:
A STUDIO VISIT WITH DEANNA PETHERBRIDGE
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JSVCPROJECTS & INTERNATIONAL DESIGN EXPEDITIONS
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HELMUT FEDERLE IN NEW YORK
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RICHARD MILAZZO OBSZINE #3
The Sadness of Bad Thinking
BEHIND THE SCENES:
RICHARD MILAZZO OBSZINE #3, ART, POETRY, AND THE PATHOS OF COMMUNICATION,
The Art of Impeachment
BEHIND THE SCENES:
WITH POET/CURATOR RICHARD MILAZZO
REVISITING OBSZINE #3
A WALK IN MY LIBRARY:
POETRY IN SEDITIOUS TIMES
HAPPY NEW YEAR AND SOUVENIRS FROM 2020!
BEHIND THE SCENES:
MISCHA KUBALL
ReferenzRäume
Museum Morsbroich
5 December – 24 April 2022
December 6th 2021
PART I
You may remember we travelled to see this exhibition in its first appearance last summer in Wolfsburg. Here now in the Ruhr region of Germany, just outside Cologne/Düsseldorf we have a new version at Museum Morsbroich which we will see early next year. The important thing here is to stress again that this is the first retrospective overview of this artist’s long career to appear, and it is well worth seeing now that it is within an easy train trip of Paris or Brussels.
Also keep in mind Mischa Kuball is one of those artists who has worked between the genres, and between the locations of public/private in the grand sense of the “polis” as well as on the fringes of everything often taken to be the “art world.” Mischa Kuball has been for three decades colonizing the territory on the borders between things, be it the city streets and plazzas. The territory where the urban structure meets the human beings’ daily activities. His work has been for a long time a call to action, a call to thought, a large imaginary arrow pointing over here to places and conditions few artists have thought worthy of attention. That arena where the everyday mundane moments become patterns or digression.
This is precisely why this œuvre is so important and relevant today; in this world we see where the very values and concerns of our daily life, and our practice as human beings, is being bombarded by countless actors, some truthful and others less so. Where the lines between true and false are more and more blurred, and the power of casting doubt absorbs all the air in any room. We are in a fragile time. The climate is extreme whether it is actual storms or human disagreements. The middle ground does not feel as if it can possibly hold.
PART II
So it is not unusual for this kind of aesthetic path to wander back in time towards the evolution of art history itself, and particularly to the work of Aby Warburg which we remember today for different reasons, not least for the picture library which made up the bases for The Warburg Institute, that collected images in such a way that history could be read vertically by typologies rather than horizontally as in chronology. Kuball takes this way of thinking, this slice or core sample as a material for work involving videos sliding into view of these famous Mnemosyne.
It is one of the highly complex works that make up this museum exhibition, many of them involve the relationship of architectural space and its social and political implications; installations, performances, photography, and projections primarily using light from a wide variety of length. In doing so he reflects the different dimensions of cultural and historical structures. He considers himself a conceptual artist who works in different media and spaces. “Light is sociology, light is politics.”
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