July 25th 2022

JILL SILVERMAN VAN COENEGRACHTS, FOUNDER JSVCprojects

May 30th 2022

UNAPOLOGETIC CONTENT.

May 23rd 2022

BEHIND THE SCENES:
ESTHER SHALEV-GERZ,
KING & KING
A new sculpture
Installed in the United States

May 16th 2022

BEHIND THE SCENES:
SAVE THE DATE
BAD+
July 6-10 2022
HANGAR 14

May 9th 2022

BEHIND THE SCENES:
LINDA KARSHAN
Backstage filming ‘Two Feet Walking’
By Ishmael Annobil, Filmmaker
In response to the architecture of Murray Edwards College
Cambridge University
8th April 2022

May 2nd 2022

A WALK IN MY LIBRARY:
HELMUT FEDERLE

April 25th 2022

BEHIND THE SCENES:
BENEDICTE DELAY WITH JASON BUTLER
‘ONE ON ONE’
Exhibition at ArtHouse Jersey
14 April – 2 May 2022

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April 11th 2022

NATURE NOTES:
HELLO TO SPRING, PARIS

April 4th 2022

BEHIND THE SCENES:
A WALKED DRAWING, ‘TWO FEET WALKING’,
By Linda Karshan
In collaboration with Filmmaker, Ishmael Annobil
In response to the architecture of Murray Edwards College,
University of Cambridge

March 28th 2022

BEHIND THE SCENES:
ISHMAEL ANNOBIL, 'INSOMNIA'
Coming soon at L'Interstice, Arles
Opening on April 15, 2022

March 21st 2022

BEHIND THE SCENES:
JASON BUTLER, ‘ONE ON ONE’
Launch new ArtHouse exhibition space
Jersey, England

March 14th 2022

BEHIND THE SCENES:
ART & LANGUAGE, "THESE SCENES", 2016
Acquired by Centre Pompidou

March 7th 2022

BEHIND THE SCENES:
ESTHER SHALEV-GERZ
Bauhaus-Museum,
Weimar, Germany

February 21st 2022

BEHIND THE SCENES:
LOSING DAN GRAHAM
1942-2022

February 14th 2022

BEHIND THE SCENES:
THE DEVELOPMENT OF BAD+
BORDEAUX + ART + DESIGN
New dates: July 6-10 2022, at HANGAR 14

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February 7th 2022

BEHIND THE SCENES:
2000 THANK YOU NOTES
7 February 2022

January 31st 2022

BEHIND THE SCENES:
NEW SPACE FOR JSVCPROJECTS

January 24th 2022

BEHIND THE SCENES:
ROBERT STONE
Debut with Haines Gallery at FOG Design + Art 2022
San Francisco, CA

January 17th 2022

BEHIND THE SCENES:
MISCHA KUBALL
nolde / kritik / documenta
A project by documenta archiv, Draiflessen Collection and Mischa Kuball
NEW DATE: FALL 2022

January 10th 2022

UNAPOLOGETIC CONTENT.

January 3rd 2022

HAPPY NEW YEAR 2022!
WARM WISHES AND NEW ADVENTURES

all posts title image
Koen Vanmechelen, IT’S AOUT TIME, Installation view at Serlachius Museum Gösta, Mänttä, Finland

BEHIND THE SCENES:
KOEN VANMECHELEN
“It’s About Time”

July 25th 2018

PART I

Koen Vanmechelen opens “IT’S AOUT TIME”, Serlachius Museum Gösta, Mänttä Finland.

Produced in collaboration with JSVCprojects/London. Curated by Timo Valjakka.
Until September 9, 2018.
Serlachius Museum Gösta, Mänttä, Finland.

PART II

Good Summer reading!

“IT’S ABOUT TIME”…
ART AND POPULATION HEALTH AT A CROSSROADS

LinkedIn original overview of Koen Vanmechelen’s unique artistic practice from the perspective of scientific engagement.

By Adam Silverman, Vice President, Population Health,
Saint Francis Healthcare Partners, Hartford, CT, USA:

When art and science mix, great things happen. And that is what happens when Koen Vanmechelen gets in your head. Koen is a Belgian artist known for the Cosmopolitan Chicken Project (CCP) – http://wassermanprojects.com/cosmopolitan-chicken/#1475108318857-94863590-382f

I had the opportunity to meet with him during his newest opening at the Serlachius Museum in Mantta, Finland in May.

The CCP is an experience and a philosophy of life that uses the chicken as the metaphor of the amalgamation of human interaction with our natural environment, the dependency that exists among species, as well as role that art and science have in mutually re-enforcing the other. The CCP depicts life as art but also provides us solutions to some vexing problems.

The fates of humankind and the chicken have been intertwined for millennia. As a reliable source of nutrition, early human settlements gravitated to the chicken as a renewable food source. As a social construct, the chicken has been a part of every major human settlement. Koen’s work recognizes this interdependence and highlights the importance of “place” in determining who we are and who we can become.

By raising awareness of the importance of genetic heterogeneity in species’ survival, the artist’s work reminds us that our current culture of hyper-specialization and genetic homogeneity presents survival risks. By placing importance on select genetic qualities, our industrial agricultural mono-culture has created a food supply that is inherently vulnerable to disease and has removed a key element of health and well-being from our local communities.

As population health is really about preventing preventable illness, enabling our communities to provide basic human needs in a reliable and safe way, the CCP reminds us that while we believe our modern societies have the ability to provide superior health and well-being, we actually are building on a shaky foundation. In particular, the industrialization of our food supply leaves it vulnerable to epidemic, promotes human disease through rearing practices that are dependent on antibiotic over-use, and promotes food insecurity to our most vulnerable populations by financially and geographically limiting access to nutrition.

By crossbreeding national chicken breeds to create new hybrids, Koen’s art has created a scientifically more resilient chicken. A chicken that can be re-introduced into a “cosmopolitan” environment and thrive, therefore promoting the notion of local stewardship over food production. From a population health perspective, this gets about as far upstream into a community as one could imagine. If well-being is defined in terms of the ability of a community to provide for itself, then the CCP gives us a roadmap to get there.

Adam Silverman MD, FACP
Chief Medical Officer at Syllable
Article published on LinkedIn