BEHIND THE SCENES:
MINYADES
An exhibition of paintings by Richard Höglund
The Bonnier Gallery, Miami
December 2021
A Catalogue Essay
BEHIND THE SCENES:
MISCHA KUBALL
ReferenzRäume
Museum Morsbroich
5 December – 24 April 2022
BEHIND THE SCENES:
ABOUT THE TREES
Thanksgiving 2021
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
THE WORLD MAP
Thanks to Mr Hide
BEHIND THE SCENES:
KOEN VANMECHELEN LABIOMISTA, GENK (BELGIUM)
The book launch and debate
“NOT TO BE MISTAKEN”, November, 4th
BEHIND THE SCENES:
OCTOBER 2021
"Linda Karshan: The Covid-19 Conversation"
Still in the limelight
BEHIND THE SCENES:
IDE TO POLAND
POSTSCRIPT PARIS
BEHIND THE SCENES:
IDE TO POLAND III
Out of the oven
Warsaw Sept 28-Oct 3
BEHIND THE SCENES:
HELMUT FEDERLE
NOVARTIS Campus – Forum 3, Basel
DIENER & DIENER - WIEDERIN
2005
BEHIND THE SCENES:
BETWEEN LISTENING AND TELLING
Esther Shalev Gerz
Nuit Blanche Paris,
Tonight
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
ART BASEL HALL 2.0C1
René Schmitt and ART & LANGUAGE
THESE SCENES, 2016
BEHIND THE SCENES:
MISCHA KUBALL
Wolfsburg and Utopias
BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
Bright blue and white ceramics fill the dining room with warmth and visual appeal
BEHIND THE SCENES:
IDE TO POLAND
A new expedition on the CERAMIC & FOOD ROUTE
Starts today in Warsaw through 3 October
BEHIND THE SCENES:
ESTHER SHALEV-GERZ
SUMMER IN PARIS
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
ON THE ROAD AGAIN
ARCO MADRID,
1st Art Fair in 2 years
UNAPOLOGETIC CONTENT.
UNAPOLOGETIC CONTENT.
UNAPOLOGETIC CONTENT.
BEHIND THE SCENES:
IN THE ARTIST'S STUDIO
JASON BUTLER "THE COLLAGES"
Pop-Up Exhibition, Jersey
STILL BEHIND THE SCENES:
NINA NOWAK'S EXHIBITION
Galleri Susanne Ottesen, Copenhagen
BEHIND THE SCENES:
PER KIRKEBY UNREALISED BRICK PROJECTS
Galleri Susanne Ottesen, Copenhagen
NEW ARRIVALS:
MISCHA KUBALL
A WALK IN MY LIBRARY:
HELMUT FEDERLE NIETZSCHE-HAUS SILS-MARIA
Schwabe AG Basel, 2004 Peter André Bloch & Jan Thorn-Prikker
on the occasion of Helmut Federle's "Edelweiss im Nietzsche-Haus, Sils-Maria" exhibition in Nietzsche's Haus, Sept 2004 to July 2005
BEHIND THE SCENES:
L'INTERSTICE ARLES OPENING
JOSETTE SAYERS AND GUILLAUME ZUILI'S PHOTOGRAPHS
Brave and fearless
BEHIND THE SCENES:
CONGRATULATIONS ISHMAEL ANNOBIL
DIRECTOR for "LINDA KARSHAN: COVID-19 CONVERSATION"
WINNER BEST SHORT DOCUMENTARY AT MYKONOS INTL FILM FES
BEHIND THE SCENES:
THE LAUNCH OF REAL TIME AND THE 3BS
BEHIND THE SCENES:
FLOWERS OF PERHAPS
LIOR GAL
ENGELS PLEIN, LEUVEN BELGIUM
BEHIND THE SCENES:
MATHILDE BRETILLOT DESIGNS NEW MUSEUM FOR LA MANUFACTURE DE GIEN
THIS TIME TWO YEARS AGO:
DRAW ART FAIR, LONDON, 2019, DESIGNER MATHILDE BRETILLOT AND ARCHITECT MISKA MILLER-LOVEGROVE
NEW ARRIVALS:
WETTERLING, STOCKHOLM
A WALK IN MY LIBRARY:
HELMUT FEDERLE
ABSTRACT PAINTING OF AMERICA AND EUROPE
Ritter Verlag, Galerie nächst St. Stephan, Vienna Rosemarie Schwarzwälder, 1988
BEHIND THE SCENES:
LUKAS HOFFMANN, CNAP ACQUISITION AND TWO EXHIBITIONS
BEHIND THE SCENES:
ESTHER SHALEV-GERZ, WEFRAC 2021
BEHIND THE SCENES:
"LINDA KARSHAN: COVID-19 CONVERSATION"
selected by Nawada and Hollywood Boulevard Festivals
BEHIND THE SCENES:
ESTHER SHALEV-GERZ
CNAP ACQUISITION,
"Describing Labor", 2012
BEHIND THE SCENES:
A STUDIO VISIT WITH DEANNA PETHERBRIDGE
BEHIND THE SCENES:
JSVCPROJECTS & INTERNATIONAL DESIGN EXPEDITIONS
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HELMUT FEDERLE IN NEW YORK
BEHIND THE SCENES:
RICHARD MILAZZO OBSZINE #3
The Sadness of Bad Thinking
BEHIND THE SCENES:
RICHARD MILAZZO OBSZINE #3, ART, POETRY, AND THE PATHOS OF COMMUNICATION,
The Art of Impeachment
BEHIND THE SCENES:
WITH POET/CURATOR RICHARD MILAZZO
REVISITING OBSZINE #3
A WALK IN MY LIBRARY:
POETRY IN SEDITIOUS TIMES
HAPPY NEW YEAR AND SOUVENIRS FROM 2020!
BEHIND THE SCENES:
ESTHER SHALEV-GERZ,
KING & KING
A new sculpture
Installed in the United States
May 23rd 2022
During the pandemic period, Esther Shalev-Gerz conceived her new sculpture KING & KING, a gorgeous work recently installed in a private collection in the United States.
Inspired by the figurative bronze sculpture King and Queen by Henry Moore, this two-part sculpture was made from Portuguese blue marble and is placed on a dark charkcoal concrete base.
The artist describes her work as:
“An abstract sculpture in marble, composed with two half-spheres creating a dynamic balance in the becoming. Each is crafted from a stone of slightly different structure and color. The two half-spheres are carved with a concave face, revealing a gap nestled between them.
The half-sphere alludes to the crowns that were shaped like skulls or shells, like natural figures of history layered in the stone. I wanted to create the work KING & KING to celebrate the splendor of alliance.
The sphere is an infrangible form that I often call upon in my projects. My dialogue with its fundamental symbolism requires a right approach as it evokes the cosmos, planets and the forming of new worlds, always leading to active and unexpected proposals.”
Esther Shalev-Gerz
“The work is installed in an open landscape space surrounded by trees, a changing green setting that enters into dialogue with it: in this spring, the green foliage and a tree in full bloom frame the sculpture and enhance it, as in a Zen garden where all the elements are intimately linked and thought out together. With its curves and two embracing volumes, KING & KING offers a majestic and harmonious presence, at once firmly anchored to the earth and directed towards the sky, coiled in on itself and expanding. In a movement that is both balanced and unshakeable, circular and infinite, it makes the empty space around it vibrate. The delicately polished surface of the grey-blue marble reacts with its environment and the variations in light and atmosphere, constantly modifying the perception of these two joined forms: in turn, the grey glow of a cloudy sky is reflected on the curved and leaning face of the half-sphere positioned on the other, and is reflected even in its curved face; or, under a sharper light, the sun casts a very pronounced shadow, an ellipse that occupies almost the entire rectangle drawn by the base. KING & KING is a powerful and sensitive work, which reminds us of the energy contained in a simple body like the sphere, and confronts us with the potential of the curve, in a world populated by orthogonality and the rectilinear figure.”
Julia Dupont, Assistant at JSVCprojects