
A WALK IN MY LIBRARY:
DECEMBER 31, 2020
JASON BUTLER'S EXHIBITION
Meyer Schapiro, “Theory and Philosophy of Art: Style, Artist and Society

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LIOR GALL, BRUSSELS, 2020

HIGHLIGHT:
LOVE LETTERS
A new participative project by artist Koen Vanmechelen

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LINDA KARSHAN AND THE BROOKLYN RAIL

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NOVEMBER 2020, LINDA KARSHAN
The Covid Conversation, A New Film

A WALK IN MY LIBRARY:
PARIS, NOV. 6, 2020
ABËTËI by Ishmael Fiifi Annobil

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MATHILDE BRETILLOT
Designs new offices for Parfums de Marly, Paris

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BERLIN STUDIO VISIT - LUKAS HOFFMANN

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BERLIN

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GALERIE NÄCHST ST. STEPHAN ROSEMARIE SCHWARZWÄLDER, VIENNA
Friederike Mayröcker, Curator Hans Ulrich Obrist - until 10 Oct
Schutzgeister/Guardian Spirits

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JSVCPROJECTS AND KOEN VANMECHELEN
The Battery Channel Podcast

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ARTISTS IN THE STUDIO, JERSEY

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MANIFEST OF THE TRUE

A WALK IN MY LIBRARY:
3 LOVE POEMS IN THE SUMMER

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SUMMER NEWS

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ROD MENGHAM,
Awarded the Cholmondeley Award for Poets

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JILL SILVERMAN VAN COENEGRACHTS RECOMMENDS

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LINDA KARSHAN
Studio visit

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STEFANO CIGADA,
"Frammenti" at the Museo di Roma in Trastevere

HAPPY NEW YEAR 2020!

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ART & LANGUAGE, EXHIBITION AT GALERIE MICHAEL JANSSEN, Berlin
April 22nd 2019
JSVC curates ART & LANGUAGE, Devinera qui pourra (Figure It Out Who Can) opening April 26, 6-9pm thru June 8, 2019 at Galerie Michael Janssen, Potsdamer Str. 63, Berlin.
Spring 2019 ushers in another season for Galerie Michael Janssen, who proudly present Devinera qui Pourra (Figure it out who can), an exhibition of works both new and newly conceived by Art & Language and curated by Jill Silverman van Coenegrachts.
A trademark quality of Art & Language’s critical artistic output is an unflagging challenge of art’s definitions, parameters, assumptions, and genres—a dedication to questioning, “what art might become when it becomes conceptual.” Devinera qui Pourra continues their investigation. Named in reference to a comment Gustav Courbet made about his painting L‘Atelier du peintre (The Artist‘s Studio) (1854-1855), which depicts the collision of the painter’s discrete social circles in single scene, the exhibition invites attendees to “figure it out who can.” It challenges viewers to unravel the intellectual knots that Art & Language tie within each artwork. It is also an assessment, in the spirit of Courbet’s painting, of global politics in the present—a complicated world incommensurate with, yet inextricable from, itself.